I source inspiration from the world around, Lagos, a cosmopolitan megacity in West Africa, the built environment and human society, mulling over ideas until a creative spark bursts into flame. I employ the enigmatic, infusing multiple layers of meaning, seeking to connect  with a diversity of viewers. 
The pieces I have chosen are centered around the concept of plumbing the depths. Subterranean employs the metaphor of pits, craters to reference undercurrents in the human psyche, while What is  Broken forces us to look deeper beyond the surface gaiety we use to mask pain. SwanCITI and Wielding the African Net unapologetically revel in oceanic depths, whether highlighting the delicate dance between natural ecology and human settlements, or celebrating African prowess across oceans and continents. I executed Journey through African Lands during the Mirror Africa 2022 workshop, delving deep into the continent's interior delineating it to the western observer as a collection of distinctive colourful nations rather than a singular block.
A few of the paintings I executed practically nonstop from inception to finish. Mostly though, there were intervals of varying degrees between start and end point.  However, as always, there was that sense of relief associated with birthing the culmination of each piece.